Sony A7R initial impression
It was hard to say goodbye to my first DSLR as it has served me very well in all aspects but it was time for a full frame. In comes the Sony A7R. Things that jump out right away, are picture quality and MP size thanks in no small part to the 36.3mm sensor it sports in a smaller body than just about all full frames. Since the sensor is basically the same one used for the d800 at almost half the price, it was a no brainer. It feels like the first time I got my DSLR as I’m going through the process of learning and testing new grounds.
A bit of flavor
It’s a nice stark contrast noticing the hot Havana Club bottle on the shores of an otherwise cold skyline. Also puts into perspective the need for a real beach in Montreal where people can have a good time without worrying what they can catch from the water.
Crop-frame for Performance shows?
Up until now I’ve been shooting all the photos you see here on my trusty Nikon d5100 with the kit lens 18-55mm f/3.5-5.6 that came with it. That’s all I’ve ever needed to create everything you see in the galleries before you. Well I’ve figured I’d give it a test for the JFL Sister Act show and see how things turn out.
What I’ve learned
Shooting interiors is a whole different ballgame where frame speed and ISO sensitivity is the most important factor. You can still get good results but you need to keep your ISO at the highest you are comfortable with until too much noise takes over. In my case I went up to 1250 and that would be with a lot of post ei: smoothing of the skin etc. You will get best results when the performers are still, especially if you plan on combining exposures into HDR. If you are going to combine to HDR, the trick is to find a frame that has no ghosting, tone map it and blend it on top with Photoshop.
The fun part about shooting water shots is you don’t have to adhere to one method.
1 – Smooth water: this is the one with reflections you can get from anything over the horizon. You want to keep your ISO at the lowest (100) and shoot later on during the day when the sun is about to go down. The less light you have the longer you can keep your exposure on. You can use manual mode and have some very nice effects anywhere from 30 to 90 seconds.
2 – Rough water: to capture the action of the water such as waves and jagged water flow, you simple need to use a faster exposure setting. You’ll need more light for this, so make sure the sun is still visible. Set your ISO from 100-400 and snap away.
3 – Mixed: Sometimes you want to keep it smooth in the background and have some waves showing in the front. This requires taking multiple shots and blending them with layer masks in Photoshop until you get the desired effect.
Rapids Park Lasalle
This is a nice corner of Lasalle where you’ll see a lot of tripods and big lenses. Most photographers go there to capture birds, as there is a bird sanctuary island near by. People visit the park to enjoy some time by the water, surfing/kayak or even fishing. Although the later is at your own risk as water quality is questionable.
For those of you here in Montreal, you must have heard the crackling of the skies as the thunder storm is passing over our city. It’s been long overdue and I gotta say, I do quite like this type of weather. First it’s great for pictures (only wish it would pass by a little later during the 8-9 oclock timeframe for optimum lighting), the heat is greatly subsided and the water pouring down means I don’t have to water the garden later!
Here is a picture from a while back as I happened to be at the right place at the right time to catch this oncoming storm.
Double tone map action
As the title implies, you first process a 3 exposure tone map image as you would normally do for an HDR. Then you would process it again. To do this prior to version 5 of photomatix you would need to just press tone map again after processing the image. Now with the new version there is a button for that “Double tone map”. This brings out greater textures and makes it look a bit surreal. I would advice using it lightly and only on architectural/heavy textured shots.
Old Montreal in the rain
Here is one of my first photos when I just began taking photos about 2 years ago. It was a rainy day and I was excited to take pictures with my new camera and see how they develop in this weather. Turns out HDR works quite well, giving the type of textures and mood that I was looking for.
Fast track about 1 year later and I just had to see what it would look like given the techniques that I know now.
Download free wallpapers
Hey all! You can now download high res versions of each image you see in my gallery. Simply hover over them and click the download icon. Enjoy!
I’ve captured this one night by the old port as the big merchant ships where docked right next to the walkway. The walkway is open for pedestrians to pass through but if you’d like to capture a different angle, well that requires a bit of ingenuity.
Finding the right angle
What I find it’s come down to, especially when shooting in the city where many people shoot, you must find something unique and interesting to differentiate. It’s not an easy task but a fun one! Take into account the light of day, the angle of the shoot and anything moving. When you combine the three you are sure to have something different than the usual.
From the top
This was shot at one of the most popular public destinations in New York, the Empire State building. The lineups and journey up are a little long but if it’s your first time, worth it. At the ticketing checkpoint, they do not allow tripods to be taken up. First I was a bit surprised but as we got up I started to understand why. You could barely move through the sea of people making 86th floor a total mob scene. Luckily I was able to squeeze into a couple of spots and take a few shots. Total time spent at the top 5min! If you go I suggest opting for a different time slot, when there is not as much traffic.
Processing night scenes
You’ll notice that as you combine your 3 exposures in photomatix, the saturation is greatly increased and people start to look more like ghosts since it’s a longer exposure than day shooting. Two easy fixes for that. Select “remove ghosts” (I suggest with ‘the selective deghosting tool’) from the menu before processing. After the process simply decrease the color saturation and you’ll start seeing more details.
Happy 4th of July to my friends down south
This is actually a picture I took on the first of July, here we call it Canada day. But the mood is all the same. Everyone is out celebrating and having fun. Don’t be fooled by the picture, we don’t actually have real beaches in Montreal.
A lot of times I go out shooting not knowing where I’ll end up. I’ll have an idea of a place I’d like to visit but from there on forward any area to explore is fair game. In this case I was pleasantly surprised by how beautiful and quite this hidden part of Montreal was. Truly one of the hidden gems of a rising metropolis.
Accelerate your work flow in Photoshop
Instead of starting over from scratch to create each effect independently, I like to use Photoshop actions. I have created a series specifically for post HDR sharpening and another one to take off the noise. This significantly reduces my workflow to just about minutes. Ofcourse I do some individual touch ups afterwards but that’s cake.
Canada’s roots in the old port
The old port is one of the oldest parts of Montreal so it comes as no surprise that you can witness the architecture left here by the French. Only wish they hadn’t stopped at the old port. Can you image Paris’ beauty on our streets?